There is a very intriguing story, unique to the Gospel of John, about a wedding attended by Jesus and his disciples at the Galilean village of Cana (John 2:1–11). Within the Gospel of John the story functions in a theological and even allegorical manner—it is the “first” of seven signs, the “water into wine” story, but that is not to say it lacks any historical foundation.
The story is part of an earlier written narrative that scholars call the “Signs Source,” now embedded in the Gospel of John much like the Q source is embedded in Matthew and Luke. Many scholars consider the Signs Source to be our most primitive gospel narrative, earlier than, and independent from, the Gospel of Mark. Most readers of John’s gospel concentrate on the long “red letter” speeches and dialogues of Jesus with the lofty language about him as the “Son” sent from heaven, in cosmic struggle with “the Jews” who are cast in a pejorative light. Such elements are apparently a much later theological overlay, as they are absent from this primitive narrative source. The work, at least according to this “Signs Source,” was originally written to promote the simple affirmation that Jesus was the Messiah, the anointed King of the line of David, and to explain how his death was part of the plan of God. This narrative source is written in a completely different style from the later material now in John’s gospel. It moves along from scene to scene with vivid details and in gripping narrative flow.
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